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Modesty is sculpting a garnet when Sir Gerald comes calling.
(The Long Lever, panels 124-131)
Modesty has repaired Jeannie Challon's brooch, so has it ready to give to the "psychometrist".
(The Mind of Mrs Drake, panel 527)
Carson Bell phones Modesty and asks what she is doing. She answers ‘carving an emerald.’
(The Head Girls, panel 1029)
There he would be meeting Calvanti, to sell three sculptured rubies for Modesty, magnificent stones carved by her own hands in the lapidary’s workshop set up in her pent house.
(Sabre-Tooth, chapter 6)
Willie is mounting a turquoise that Modesty has carved.
(The Black Pearl, panel 1133)
She ran a finger across the pearls on each side of the magnificent centre pearl. ‘These are Orientals, from the Persian Gulf; these, with the touch of fiery steel, are Madras; then Ceylon, Panama, Shark Bay I think, and the Philippines, with a few in between that I couldn’t be sure of. The two small blacks by the clasp are from Tahiti.’
There was a long silence.
‘About nine months’ work spread over seven years,’ Collier said.
(A Taste for Death, chapter 9. The same necklace of pearls that Willie has dived for features in the short story, A Perfect Night to Break your Neck.)
Gold, silver, ivory, slaves … jewels? Yes. Now he remembered a line from Strabo, something about ‘the carbuncles of the Garamantes’. He felt brief surprise that Modesty and Willie should know anything of ancient jewels which were possibly mythical and scarcely mentioned in historical records. Then he remembered the library of books in Modesty’s lapidary workshop at her penthouse, and his surprise passed.
(A Taste for Death, chapter 14)
‘Thank you, Giles. Now listen, I want you out of the way while Brunel’s here. You can pop into my workroom and amuse yourself with the lapidary equipment there if you like. Just don’t touch that emerald I’m setting.’
... When Tarrant had gone, Modesty went to her workroom and set the emerald she was polishing in a dop-stick. With the jeweller’s glass screwed in her eye she examined it carefully. The tiny flaw had been eliminated by the cutting. It was a smallish stone, but the quality was superb. Sitting at her bench, she sprinkled emery flour on the wooden wheel and set it in motion.
(The Impossible Virgin, chapter 6)
De Silva has been carrying fifty diamonds.
Modesty: Bring them along to my workroom, Willie. … Top quality gems, worth about twenty thousand pounds each.
(The Ladykillers, panel 5064)
I’ve been amusing myself carving semi-precious stones. I’m quite a good lapidary, and I used to do a lot of work with precious stones when I was a wicked criminal. … Well, an American I happened across in those days is a rock hound, and through him I’ve cottoned on to the idea of carving more everyday gemstones. You can go at it with more panache when you haven’t got something worth a fortune on your dopstick. Therapeutic, like building a wall.
(The Night of Morningstar, chapter 6)
René Vaubois is an amateur goldsmith and has made Modesty a brooch which helps her locate him.
(The Wild Boar, panels 6224 seq.)
Modesty (phoning from the balcony of the penthouse): Hallo, Willie. Say something nice to me. My pot plants are wilting again and I'm sure it's my aura.
(The Vanishing Dollybirds, panel 4062)
Modesty went down on one knee and touched the little flower gently. “There. I’m sure it’s a Frog Orchid.”
“Or a very unusual hollyhock,” said Collier.
(Dead Man’s Handle, chapter 15)
Occasionally Modesty or Willie will use an obscure word in conversation as a challenge to the other. Steve Collier sometimes joins in.
‘The whole effect is …’ she shrugged. ‘I don’t know.’
‘Nacreous,’ said Willie, and she laughed. He had a habit of producing the occasional surprising word.
‘You’ve been reading good books again,’ she said. ‘But you’re right. It shimmers like mother-of-pearl.’
‘I pick up a lot reading the music critics in the papers,’ said Willie, and grinned. ‘They slay me.’
‘How do you mean?’
Willie closed his eyes, concentrated for a moment, and began to quote: ‘The content of these passages is opaque rather than glassy in this hermetic little work, with laconic solo interludes, spare in texture yet with a nacreous veneer. To say that the performance of such a work demands no small degree of incisive brilliance would be an absurd litotes—’
‘Ah no, Willie. You’re making it up. Not litotes!’
(Sabre-Tooth, chapter 9)
“That’s all right, Princess. Anyway, it wasn’t the sort of story to induce pandiculation.”
She said softly to herself, “Pandiculation?” Slipping out of the robe, she got into bed, pulled the sheet up to her waist, then turned face down and lay with her head pillowed on a forearm. Pandiculation. One of Willie’s obscure words. But he hadn’t quite caught her out with it, even though she had been off guard. It was deliberate, of course. A neat distraction to haul her out of the past and into the present. Pandiculation. She wondered if it might be possible to find a good English dictionary in Porto Vecchio.
(The Xanadu Talisman, chapter 8)
Alex Gant: I'm the biggest publisher of science fiction in the world and here's where I work. Do you read s.f.?
Modesty: I read a little, Willie a lot.
(The Girl from the Future, panel 7180)
Willie turned on his side to face her and said: ‘Princess, I been meaning to ask. How you getting on with Alice in Wonderland?’
‘I can’t quite make up my mind.’ She frowned at the ceiling. ‘If I’d read it when I was small I’d probably see it quite differently. But reading it now, knowing it’s a classic, knowing Carroll was a bit of a weirdie, I keep looking out for the symbolism and psychology of the thing.’ She paused, reflecting. ‘I think I like the verses best, but I don’t like Alice. Why doesn’t she get frightened more?’
‘Well, it’s like a dream, I suppose. You know, not real for the kid.’
‘At her age I got more scared by dreams than anything else.’
(Sabre-Tooth, chapter 10)
“Willie calls it the flux,” said Modesty. “He doesn’t believe that coincidences are coincidences. He says there’s a magnetic flux about the earth which causes like events to occur simultaneously or in sequence. Open The Times Literary Supplement and you find three different people have written books about Queen Victoria’s third cousin twice removed who was Governor of Honduras or somewhere. All published in the same month. And nobody ever heard of him before. It’s the flux.”
(The Silver Mistress, chapter 6)
Inspector Brook: I find it hard to believe that you don't know where Miss Blaise is, Weng.
Weng: Belief consist in accepting the affirmation of the soul, so Emerson said, Inspector.
(The Greenwood Maid, panel 3774a)
Willie is setting clues for a treasure hunt:
“With spire and cottage in a line, Descend towards the rill.
The next clue lies beside the sign-post halfway down the hill.”
You certainly know ’ow to write immortal lines, Willie boy. Eat your heart out, Betjeman.
(Green Cobra, panel 4658)
“Oscar Wilde said they’re old-fashioned, and to admire ’em [sunsets] was a sign of provincialism of temperament.”
“Silly bugger,” Pennyfeather remarked.
“You’re at least half right, Giles,” Modesty said. “I don’t know if Oscar was silly, but he always seems much too pleased with himself for my liking. Willie? How do you know clever things like what Oscar Wilde said?”
“Ah, that was Veronica. Remember the girl I brought along to the Newmarket races last year? She was at Cambridge, doing a thesis on Wilde, and most nights I ’ad to spend hours listening while she ’eld forth—”
(The Xanadu Talisman, Chapter 5)
Talisman. Had the famous lamp been a talisman for Aladdin? A strained association, surely, but leave it without going too deep. Peacock … shadow. What was the Tennyson line? Now sleeps the crimson petal etcetera, then the next bit … now droops the milk-white peacock like a shadow. Yes? No, no, no, the word in the poem wasn’t shadow, but ghost … like a ghost. No association there.
(The Xanadu Talisman, Chapter 5)
Count Orlando Smythe: The dancing bear … no doubt you recall Dr. Johnson's comment?
Modesty: I believe he thought it was remarkable.
[This is actually a fairly widespread conflation of Dr Johnson's famous comment that a woman preaching was like a dog walking on its hind legs, and a comment about Dr Johnson by the Earl of Eglintoune that he would always have been a bear but if brought up in more refined society would have been a dancing bear.]
(The Balloonatic, panel 5576)
Ingrid: What the hell is the point of walking up here [the Acropolis] at a time like this?
Willie: I'm trying to relax, Ingrid. You know, what the poet [W. H. Davies] said, “What is this life if, full of care, we ’ave no time to stand and stare”.
Ingrid: Oh shut up, you stupid ape.
(Plato's Republic, panel 6086)
Milord: I trust you are a sincere male chauvinist, Henry. One must never worry about women.
Willie: Right! Old Shakespeare said, “A woman is only a woman…but a good cigar is a smoke”. Ha ha, ha!
Milord: Kipling himself could not have put it better.
(Milord, panel 6990)
Giles Pennyfeather: It’s funny … She says I remind her of a skylark, because of what some poet wrote about one.
Willie: I expect she’s thingking of “Hail to thee, blithe spirit.” That's what you have, Giles, a blithe spirit—she loves it.
(Children of Lucifer, panel 9675)
[Modesty and Luke Fletcher are in Malta.]
“When you’ve had a bath, go and work on the balcony. You’ll find everything you need in that room I showed you last night.”
“Hardly that.” She began carrying some dirty dishes to the sink. “But it’s well equipped.”
“You said you sometimes paint. Why didn’t I see any pictures there?”
She looked over her shoulder at him with a wincing grin. “Not even Willie Garvin sees what I paint. It’s genuinely appalling. As soon as I’ve gone as far as I can bear to go on a picture, I scrape it all off. But I find it restful.”
“I could help, you know.”
“Thank you, but we’ll leave it the way it is.”
(Dragon's Claw, Chapter 6)
Modesty: I think if you stop stirring cheese sauce, it goes lumpy.
Willie: Ooh! Sorry! ...
Modesty: Lumps! That's because you stopped stirring. Willie, if you're going to ruin the dinner, we'd better leave talking till afterwards.
(Take-over, panels 1958-9.)
His voice changed, taking on a note of alarm. “Princess! Quick, it’s moving!”
“He’s only watching some soup,” said Modesty, and went through into the kitchen.
Pennyfeather chuckled. “It’s funny with Willie, you know. Modesty says he’s marvellous on a Robinson Crusoe basis. Plonk him down in the middle of nowhere and he’ll come up with a tasty meal, but he’s hopeless in a kitchen. Mind you,” Pennyfeather added handsomely, “I’m not all that great myself.”
(The Xanadu Talisman, chapter 5)
At the studio Willie said, “Into bed, Princess. You promised Kim.” He looked at his watch. It was six o’clock. “You ’ave a couple of hours sleep, then I’ll slip out and get a take-away meal for us. Better than me setting fire to the kitchen.”
(The Night of Morningstar, chapter 9)
“I didn’t know you made bread,” said Tarrant. He sat on a tall stool in the kitchen, a tankard of beer at his elbow, watching her.
She lifted a big lump of dough from her mixing bowl, set it down on a board, and began to knead. “I bake okay wholemeal bread,” she said, “not marvellous bread, just okay. But that doesn’t matter. What matters is that bread’s the oldest and most primitive of foods made by man, and there’s a sort of earth magic about making it. You get your soul cleansed a bit.”
(The Night of Morningstar, chapter 17)
At the Treadmill, Modesty locates a shaved Ace of Spades, and Willie pays up, saying: "If I can't win dishonest, I'd rather lose."
(La Machine, panels 23-24)
Modesty and Willie are playing bezique. Willie denies any sharping when he wins.
(The Vikings, panel 940)
Willie and Sir Gerald take on a pair of patronising members of Rand's Club at bridge and win handsomely. (This resembles the snooker episode in I, Lucifer.)
(The Head Girls, panels 1031-5)
‘Fine. I could bottom deal a poker hand.’
(I, Lucifer, chapter 18)
Willie has won £300 at Blackjack in a West End club. The manager comments: ‘He's a computer. Remembers every card dealt and can reckon the odds to three decimal places—so be glad he just calls in sometimes for pocket money.
(Bad Suki panel 1462)
Maude: I wish you'd get stoned or smoke yourself hoarse or make lewd advances to me ... just to ease the kinks out.
Willie: Another time, Maude. Tonight I'll teach you how to cheat at cards. We'll start with bottom-dealing, the hold-out and two-handed shift.
(The Puppet Master, panel 2677)
He put the pack down for her to cut. She eyed it, felt it carefully as she cut, and decided that it was intact now, the ten-card hold-out stacked on top ready for the deal. Willie picked up the upper half of the cut pack, and said as he slapped the lower half on top of it, ‘Dangerous, it was. I nearly got stabbed in the throat once. Still got the scar.’ He tilted his head, pointing under his chin.
Involuntarily she glanced up, then immediately down again. The pack lay on his palm as before, but she knew that during the moment of misdirection he had made a one-handed shift to restore the cut. She laughed and said, ‘Damn. Never mind the deal. What do I get?’
‘Three Queens. I get a full ’ouse.’
(Last Day in Limbo, chapter 3)
“‘Quinn’s Benefit,’ they called it. A going-away present. Started with a tenner and worked the blackjack table as a syndicate.” He laughed. “It was an eye-opener, wasn’t it, Jan?”
She smiled. “We came away with three hundred and eighty-seven pounds, and Willie says they weren’t cheating, you just have to understand about the odds.”
“You can’t cheat at blackjack, Lady Janet,” Tarrant observed, “so we must credit him with telling the truth for once.”
(The Silver Mistress, chapter 15)
Gordon and Modesty play cards while Willie is visiting Wilderness.
Gordon: The way you keep winning, anyone might think you'd been card-sharping for the last half hour.
Modesty: I have, Gordon. I like to keep in practice.
(Highland Witch, panel 3510-1)
Modesty, Dinah, Steve and Weng play bridge while waiting for Willie to come back from Bernie Chan's home. Weng is the best player, since he regularly plays at a top London club and earns £7,000 a year from it.
(The Night of Morningstar, chapter 12)
[Willie displays his skills.]
Willie: Now watch the hands, Weng, observe the fidgetty digits because you'll get nothing and I'll get four aces from the bottom of the pack.
Weng: Mr. Garvin, I should be preparing dinner, not Miss Blaise.
Modesty: Shut up and pay attention, Weng. We like to do things while we think. And while you're watching Mr. Garvin's card-sharping expertise, tell me where religious music's played.
(Ripper Jax, panel 8727)
She focused her attention on the road and held it there as if setting automatic controls. Then part of her mind visualised the chessboard. Eight moves had been made by each side. She was white, to move, and had played a Queen’s Pawn opening to which Willie had replied with an Indian defence.
‘Knight takes knight, my last move,’ said Willie.
‘Yes. I’ve got it.’ Once she had found it difficult to get beyond four moves. Now she could usually finish a game without losing track of the position. For a minute she sat in thought, then said, ‘Queen takes knight.’
(I, Lucifer, chapter 8)
Modesty is playing chess with Sir Gerald when she hears that Ben Turner has been sprung from gaol. This distracts her, so that she loses the game.
(The Greenwood Maid, panel 3759)
[Waiting for news of Luke Fletcher] At five o’clock when the telephone rang in the penthouse Modesty and Willie were playing three simultaneous games of chess.
(Dragon’s Claw, chapter 9)
Willie plays chess with the hostile agent Ingrid, but loses in order to boost her ego.
(Plato's Republic, panels 6067-8)
[Collier and Weng wait for news of Dinah and Modesty.]
Collier: All right, you inscrutable oriental - set up the chess board and prepare for humiliation.
Weng: I tremble, Mr Collier. Do you wish me to take the usual handicap of starting without a queen?
(Lady in the Dark, panel 7428)
Modesty and Willie play chess with a pocket set in Durango's camp.
Willie: I think you’re planning a bishop sacrifice.
Modesty: My lips are sealed.
(Durango, panel 9076)
Modesty: Mate—and you’re playing like a novice, Willie.
Willie: Sorry! It’s not being able to do anything about Sam.
(Special Orders, panel 9490)
[On board the flight to Delhi]
Modesty: Later I'’ll beat you to a pulp with that pocket chess set Weng packed, but first tell me about this friend who saved your life.
(The Death Symbol, panel 9765)
Willie uses a snooker analogy while training the Phoenix warriors:
“Look, when you're up against three men, it's a bit like snooker. You pot a ball so you leave the cue ball lying right for the next bit.”
(The War-lords of Phoenix, panel 2129)
In Luquerres, Central America, Modesty has her transceiver in her Landrover and talks to Willie who is with Sir Gerald in Victoria Street in London.
(The Jericho Caper, panels 1380-5)
Willie in Mexico calls Modesty in Cuarembo, 5,000 miles to the south.
(The Green-eyed Monster, panels 2310-2)
In Australia Modesty in Sydney talks to Willie in the outback.
(The Stone-age Caper, panels 2525-7)
The radio in Modesty's plane saves the day when the inefficient radios of the wildlife service fail.
(Million Dollar Game, panels 6640 seq.)
Modesty calls Sir Gerald from Transylvania asking for informtion about Europe’s Fist.
(The Vampire of Malvescu, panel 6779)
Modesty talks to Willie from Italy.
(The Girl in the Iron Mask, panel 7661)
Modesty joins a practice session at a dance studio off Charing Cross Road.
(Death in Slow Motion, panels 5623-5)
“The whole bit. Barre work, exercises, routines, chorus work. I know a couple of choreographers, and they let me join in with any group they’re rehearsing.”
“Good God. You actually do this top-hat, tights and silver-knobbed cane stuff?”
“Why not? There’s nothing better for balance and timing, and nobody in the world more generally fit than your professional dancer.”
(The Night of Morningstar, chapter 12)
[Trapped in the snake pit, Willie manages to seize the cobra by its head as it threatens to strike Modesty.]
Willie: I once spent a month at the Pasteur Snake Farm in Bangkok—learned ’ow to grab ’em and squeeze the venom out.
Modesty: How interesting! I thought I knew everything about you, Willie … glad I didn’t.
(Fiona, panel 7526)
Carol: Did you really work with snakes?
Willie: I ’ad to do this daily at the snake farm.
Carol: You’re a very unusual person, Willie.
Willie: Me? No. Just a well-travelled publican.
(The Maori Contract, panels 8874-5)
Modesty is typing while Steve Taylor dictates.
Steve: You said you held records for typing—but you're only half way through the heading.
Modesty: I'm the world's worst. Isn't that a record?
(Dossier on Pluto, panels 493 seq.)
… he always revelled in the pleasure of idling the hours away with her, talking, reflecting, never discussing operations directly, letting the subconscious work on problems, taking the hour-long swim in the pool with her, fifty-two lengths to the mile, relaxing, perhaps having a light combat workout, playing a game of chess or backgammon, listening to some music, talking, watching her move about the kitchen as she prepared a meal …
“Come Saturday morning,” she said. “I’ll make a paiella for dinner.”
(The Night of Morningstar, chapter 1)
Page created by John Higgins, last updated 26 June 2019